Histories of conservation and art history in modern Europe / edited by Sven Dupré and Jenny Boulboullé

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Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- 1. Introduction: Experts in the Interbellum -- PART I: Science, Authentication and Issues of Conservation -- 2. "We Cannot Splash Light onto Our Palettes": The 1893 Munich Exhibition and Congress and Its Public Demand for Research on Painting Materials and Techniques -- 3. A. P. Laurie and the Scientific Appreciation of Art -- 4. Seeing Through the (Old) Masters: The Crisis of Connoisseurship and the Emergence of Radiographic Art Expertise -- 5. Rome 1930, the International Conference on the Scientific Analysis of Artworks and Its Legacy in Italy -- PART II: Education and Professionalisation -- 6. Mending, Sticking, and Repairing: Reconstructing Conservation Expertise in Archaeology in the Nineteenth and Twentieth Centuries -- 7. Wissenschaft, Vocation, or Bildung?: Debating the Sites and Aims of German Art History at the End of the Nineteenth Century -- 8. Education in the Art and Conservation Field in German Countries -- 9. Experiments in a Teaching Museum: The Fogg's "Laboratory for Art" -- PART III: Museums and Institutions -- 10. Omnium Gatherum to a 'Treasury of Art and Science': The Development of Conservation Expertise at the Ashmolean Museum -- 11. The (In)visibility of the Paintings Restorers of the Rijksmuseum in the First Half of the Twentieth Century -- 12. Gemäldekunde. German Pioneers of the 'Science of Painting' -- 13. Invention as Necessity: The Salvage of Italian Frescoes During World War II -- 14. Expertise, Multiple Actors, and Multiple Voices -- Index.