Sculpture in Print, 1480-1600. / edited by Anne Bloemacher, Mandy Richter and Marzia Faietti

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Intro -- Contents -- Figures -- Notes on Contributors -- "Quanto in virtù d'una ingegnosa mano / la fermezza de'marmi ai fogli cede": The Art of Translating Sculpture into Print. An Introduction -- Part 1 Antique Sculpture -- Chapter 1 Aes Incidimus: Early Modern Engraving as Sculpture -- Chapter 2 Transferring Ancient Sculptures into Prints. Marcantonio Raimondi's Quos Ego: Its Prototypes and Afterimages -- Chapter 3 Marcantonio Raimondi and Fragmentary Ancient Statues: Hypotheses on his Working Method and Antiquarian Practice -- Chapter 4 Cherubino Alberti's Engravings after Polidoro da Caravaggio: from Chiaroscuro to Sculpture -- Chapter 5 From Sculpture to Print to Sculpture. Parmigianino, Caraglio and the Mystery of the Barberini Faun -- Part 2 Contemporary Sculpture -- Chapter 6 The Reproduction of Sculpture as Sculpturein 16th Century Prints: Baccio Bandinelli, Giambologna, and Adriaen de Vries -- Chapter 7 The Young Baccio Bandinelli and the Role of Prints at the Beginning of a Sculptor's Career -- Chapter 8 Considering the Viewer in Prints of Michelangelo's Risen Christ: The Cases of Beatrizet and Matham -- Chapter 9 On the Genesis of Antonio Tempesta's Print of Henry ii on Horseback -- Chapter 10 Sculpture's Narrativity in Northern Renaissance Prints -- Chapter 11 Models for Sculptures in Print: Michelangelo's Samson and Two Philistines in Lucas Kilian's Engravings -- Index.