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Cover -- Halftitle page -- Title page -- Copyright page -- Contents -- Illustrations -- Contributors -- Introduction Laurie Ruth Johnson -- I Reading German Cultural History Differently -- One Finding Odysseus's Scars Again: Hyperlinked Literary Histories in the Age of Refugees -- World Literary Histories -- Global Histories, Refugees, and the Question of Archives -- Afghanistan and Germany: An Attempt at a Globally Connected Literary History -- Finding Odysseus's Scars, Again: Hyperlinking Literary Histories -- Coda -- Two Between the Court and the Port, but Never Part of a Nation: Friederike Brun's Domesticated Cosmopolitanism -- Situating Friederike Brun -- A Ship in a Port, or Reading a Narrative Episode -- Networks, Genres, Vanishing Acts -- German Language, Philology, Marginalia -- Brun Interrogates Ancient Greece and Ends Up Writing German -- Cosmopolitanism Abridged and Domesticated: From the Salon to the Book -- Three On the Inside Looking Out: Fichte, the University, and the Psychopolitics of German Idealism -- Fichte's Revolutionary "I" -- Fichte, Humboldt, and the German University -- Fichte's Politics as a Projection of the Psyche -- Four Rewriting German Literary History from the Outside in: J. M. Coetzee's Elizabeth Costello -- II Stories of Expulsion, Exile, and Displacement -- Five Looking for Heinrich Heine with Nâzım Hikmet and E. S. Özdamar -- Transnational Literature/World Literature(s) -- Heine in and out of Germany -- The Legacy of Two Poets beyond Borders -- A Turkish Scheherazade goes West -- Six Between Times and Places: Mobility and National Identity in Albert Vigoleis Thelen's Refugee Memoirs from Spainand Portugal (August 31-September 1, 1939) -- The Looks of the Refugee (Images) -- Of Words, Letters, and Passes (Texts) -- "Gewalt" as Power and Violence (Beyond Image and Text).

Literature, Counter-Memory, and Life in Common -- Seven Writing Germany with Brazil: Julia Mann's Memoir -- Eight From Vienna to the Midwest: Austrian Refugees and Quaker Rescue Efforts after 1938 -- Nine Keeping Time: Trauma as Intimate Alienation in Hans Keilson's Writing -- Da: Here/There, Home and Away -- Time after Time: The après-coup of Trauma -- Keeping Time: Intimate Alienation -- III Rewriting German Culture -- Ten Tracing the Continual Present: Yoko Tawada and Vilém Flusser -- Introduction: The Past, Present, and Future of Writing -- Yoko Tawada and Vilém Flusser on Time and the Medium of Writing -- Rewriting Zero as Reorientation in Space and Time -- Conclusion -- Eleven Mobilizing the Archive: Marica Bodrožic ánd Deniz Utlu's Unterhaltungen deutscher Eingewanderten -- Exile, Immigration, and the Transnational Alchemy of Literary Tradition -- Making Connections and Animating Absences: The Literary Archive of Migration -- Imbricating Poetics and Politics -- Toward Non-Closure: Mobilizing the Archive -- Twelve Constructing an "Inside": Transcultural Laughter Communities in Fatma Aydemir's Ellbogen (2017) and Olga Grjasnowa's Der Russe ist einer, der Birken liebt (2012) -- Thirteen Screening Urban Space and Belonging in Berlin: Contemporary Berliners in Sheri Hagen's Auf den zweiten Blick/At Second Glance (2013), Ines Johnson-Spain's Becoming Black (2019), and Amelia Umuhire's Polyglot (2015) -- Exploring the Work of Black Artists in Germany -- Overcoming Obstacles -- Three Case Studies -- Close-up: Polyglot -- Close-up: Becoming Black -- Close-up: At Second Glance -- Fourteen Bertolt Brecht's Me-ti or the Aesthetics of Translation: Universal Love, Mutual Benefits, and Transience -- Brecht's "Translation" and the Renaissance of Mohismas a Global Moment -- The Great Order: Socialism -- The Great Method: Dialectics.

Fifteen Clowns in Exile: Hamletmaschine and the (In)human -- Clowns and the Inhuman -- Inhuman Objects (of Comedy and Violence) -- Clowns, Refugees, and the Theater of Confrontation -- Index -- Volume in the Series.