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Cover -- Analytical Essays on Music by Women Composers -- Copyright -- Contents -- Acknowledgments -- About the Companion Website -- Chapter 1. Introduction -- Part I: Music for Voice -- Chapter 2. Alma Mahler-​Werfel, "Licht in der Nacht" (1901) -- Searching for the Light: Harmonic Cycles and Feedback Loops in Alma Mahler-​Werfel's "Licht in der Nacht" -- Chapter 3. Rebecca Clarke, "Tiger, Tiger" (1933) -- Extended Tonality and Text-​Setting in Rebecca Clarke's "Tiger, Tiger" -- Chapter 4. Ethel Smyth, The Boatswain's Mate (1913-​14) -- A Wrinkle? Gender and Motive in Ethel Smyth's The Boatswain's Mate -- Chapter 5. Ruth Crawford, "To an Angel" from Chants for Women's Chorus (1930) -- "Not Yet Accepted as Singing": Ruth Crawford's "To an Angel" from Chants for Women's Chorus -- Part II: Instrumental Music -- Chapter 6. Florence B. Price, Piano Sonata in E minor (1932) -- Culture and Craft in Florence Price's Piano Sonata in E minor (First Movement) -- Chapter 7. Galina Ustvolskaya, Sonata for Violin and Piano (1952) -- Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano -- Chapter 8. J. M. Beyer, String Quartet No. 2 (1933-​34) -- Imagination and Method: J. M. Beyer's String Quartet No. 2 -- Chapter 9. Peggy Glanville-​Hicks, Sinfonia da Pacifica (1952-​53) -- Avant-​Garde or Postmodern? The Melody-​Rhythm Concept in Peggy Glanville-​Hicks's Sinfonia da Pacifica -- Glossary -- Bibliography -- Index.

In Analytic Essays on Music by Women Composers: Concert Music, 1900-1960, editors Laurel Parsons and Brenda Ravenscroft collect innovative reinterpretations of women composers' work over the first half of the twentieth century.