Periodization in the art historiographies of Central and Eastern Europe / edited by Shona Kallestrup, Magdalena Kunińska, Mihnea Alexandru Mihail, Anna Adashinskaya and Cosmin Minea

Другие авторы: Kallestrup, Shona [HerausgeberIn] | Mihail, Mihnea Alexandru [HerausgeberIn] | Kuninska, Magdalena [HerausgeberIn] | Adashinskaya, Anna [HerausgeberIn] | Minea, Cosmin [HerausgeberIn]Тип материала: ТекстТекстЯзык: English (английский язык) Серия: Studies in art historiographyLondon Taylor & Francis; Routledge 2022Описание: 1 Online-Ressource (xvii, 271 Seiten), IllustrationenВид содержания: Text Средство доступа: Computermedien Тип носителя: Online RessourceISBN: 9781000602005Тематика(и): Kunst | Geschichtsschreibung | EuropaЭлектронное местонахождение и доступ: frei zugänglich | frei zugänglich Сводка: PART 1: INTRODUCTION Introduction1. Linear, Entangled, Anachronic: Periodization and the Shapes of Time in Art HistoryPART 2: WE HAVE ALWAYS BEEN BYZANTINE 2. Renaissances in Byzantium and Byzantium in the Renaissance: the International Development of Ideas and Terminology in Late Nineteenth- and Early Twentieth-Century Europe 3. From Byzantine to Brancovenesc: The Periodization of Romanian Art in the Second Half of the Nineteenth Century4. Regional Variations of the Byzantine Style. Canonization/Nationalization of Art and Architecture in South-Eastern Europe 5. Bulgarian versus Byzantine: The Unrealized Museum of the Bulgarian Revival and National Style Debates in Architecture ca. 1900 PART 3: OUR ART IS IN TEXTBOOKS 6. Sztuka. Zarys jej dziejow (Art. A Survey of its History, 1872): The Disciplinary and Political Context of Jozef Lepkowski's Survey of Art History7. German Medievalism and Estonian Contemporaneity: Centre, Periphery and Periodization in the Histories of Baltic and Estonian Art, 1880s-1930s8. Periodization of Architecture in Croatian Art History: The Case of the 'Renaissance' and 'Transitional' Styles PART 4: TRADITION WAS INVENTED BY MODERNITY 9. The European and the National in Imperial Historiography and Periodization of the Russian School of Painting10. Magmatic Foundations: The Emergence and Crystallization of Early Ideas of Periodization in Polish Painting in the Nineteenth Century11. Problematizing Periodization: Folk Art, National Narratives and Cultural Politics in Early Twentieth-Century Romanian Art History12. Beyond the Provincial: Entanglements of Regional Modernism in Interwar Central EuropePART 5: TURNING POINTS 13. Disaster and Renewal, 1241-42: The Transition from Romanesque to Gothic in the Historiography of Medieval Art in the Kingdom of Hungary14. Modernism Versus Modernism: Socialist Realism and Its Discontents in Romania
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PART 1: INTRODUCTION Introduction1. Linear, Entangled, Anachronic: Periodization and the Shapes of Time in Art HistoryPART 2: WE HAVE ALWAYS BEEN BYZANTINE 2. Renaissances in Byzantium and Byzantium in the Renaissance: the International Development of Ideas and Terminology in Late Nineteenth- and Early Twentieth-Century Europe 3. From Byzantine to Brancovenesc: The Periodization of Romanian Art in the Second Half of the Nineteenth Century4. Regional Variations of the Byzantine Style. Canonization/Nationalization of Art and Architecture in South-Eastern Europe 5. Bulgarian versus Byzantine: The Unrealized Museum of the Bulgarian Revival and National Style Debates in Architecture ca. 1900 PART 3: OUR ART IS IN TEXTBOOKS 6. Sztuka. Zarys jej dziejow (Art. A Survey of its History, 1872): The Disciplinary and Political Context of Jozef Lepkowski's Survey of Art History7. German Medievalism and Estonian Contemporaneity: Centre, Periphery and Periodization in the Histories of Baltic and Estonian Art, 1880s-1930s8. Periodization of Architecture in Croatian Art History: The Case of the 'Renaissance' and 'Transitional' Styles PART 4: TRADITION WAS INVENTED BY MODERNITY 9. The European and the National in Imperial Historiography and Periodization of the Russian School of Painting10. Magmatic Foundations: The Emergence and Crystallization of Early Ideas of Periodization in Polish Painting in the Nineteenth Century11. Problematizing Periodization: Folk Art, National Narratives and Cultural Politics in Early Twentieth-Century Romanian Art History12. Beyond the Provincial: Entanglements of Regional Modernism in Interwar Central EuropePART 5: TURNING POINTS 13. Disaster and Renewal, 1241-42: The Transition from Romanesque to Gothic in the Historiography of Medieval Art in the Kingdom of Hungary14. Modernism Versus Modernism: Socialist Realism and Its Discontents in Romania

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