MARC-Details
| 000 -Satzkennung |
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| Kontrollfeld mit fester Länge |
07396nam a22004333i 4500 |
| 001 - Kontrollnummer |
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| Kontrollfeld |
EBC31467375 |
| 003 - Kontrollnummer Identifier |
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| Kontrollfeld |
MiAaPQ |
| 005 - Datum und Zeit der letzten Transaktion |
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| Kontrollfeld |
20240823185300.0 |
| 007 - Feld mit fester Länge zur physischen Beschreibung - Allgemeine Information |
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cr cnu|||||||| |
| 008 - Feld mit fester Länge zur physischen Beschreibung - Allgemeine Angaben |
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| Kontrollfeld mit fester Länge |
240823s2024 xx o ||||0 eng d |
| 020 ## - Internationale Standardbuchnummer |
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| Internationale Standardbuchnummer |
9781040106655 |
| Nähere Angaben |
(electronic bk.) |
| 020 ## - Internationale Standardbuchnummer |
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| Gelöschte/ungültige ISBN |
9781032539102 |
| 040 ## - Katalogisierungsquelle |
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| Original-Katalogisierungsstelle |
MiAaPQ |
| Katalogisierungssprache |
eng |
| Übertragungsstelle |
MiAaPQ |
| 100 1# - Haupteintragung - Personenname |
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| Personenname |
Auestad, Reiko Abe. |
| Koha-Normdatenidentnummer |
64749 |
| 245 10 - Titel |
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| Titel |
Affect, Emotion and Sensibility in Modern Japanese Literature : |
| Zusatz zum Titel |
From Natsume Sôseki to Ishimure Michiko. |
| 250 ## - Ausgabebezeichnung |
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| Ausgabebezeichnung |
1st ed. |
| 264 #1 - Produktion, Veröffentlichung, Distribution, Herstellung und Urheberrechtsvermerk |
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| Herstellungs-, Veröffentlichungs- Vertriebs-, Erzeugungsort |
Oxford : |
| Produzent, Herausgeber, Distributor, Hersteller |
Taylor & Francis Group, |
| Datum der Herstellung, der Veröffentlichung, des Vertriebs oder des Urheberschutzvermerks |
2024. |
| 264 #4 - Produktion, Veröffentlichung, Distribution, Herstellung und Urheberrechtsvermerk |
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| Datum der Herstellung, der Veröffentlichung, des Vertriebs oder des Urheberschutzvermerks |
{copy}2025. |
| 300 ## - Physische Beschreibung |
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| Umfang |
1 online resource (221 pages) |
| 336 ## - Inhaltstyp |
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| Inhaltstypterm |
Text |
| Inhaltstypcode |
txt |
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rdacontent |
| 337 ## - Medientyp |
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| Bezeichnung des Medientyps |
Computermedien |
| Medientypcode |
c |
| Quelle |
rdamedia |
| 338 ## - Datenträgertyp |
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| Datenträgertypbezeichnung |
Online Resource |
| Datenträgertypcode |
cr |
| Quelle |
rdacarrier |
| 490 1# - Gesamttitelangabe |
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| Gesamttitelangabe |
Routledge Research on Asian Literature Series |
| 500 ## - Allgemeine Fußnote |
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| Allgemeine Fußnote |
E-Book-ProQuest / Fernzugriff nach Registrierung möglich |
| 505 0# - Fußnote zu strukturierten Inhaltsangaben |
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| Fußnote zu strukturierten Inhaltsangaben |
Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgements -- Introduction -- Interpretative Framework: Reading as Continuous With Life -- Methodological and Theoretical Framework: Affect Theory, Cognitive Science, and Butlerian Ethics -- Overview of the Book and Chapters in Context: From Natsume Sôseki and Shiga Naoya to Tsushima Yûko and Ishimure Michiko -- Part I Genre: Sensibility, Language, and Genre -- Part II Affect: From the Affect That Unhinges to the Affective Apprehension of the Present -- Part III Trauma: Representing a Real-Life Trauma in Fiction -- Notes -- References -- Part I Sensibility and Genre -- 1 Natsume Sôseki's Narrative Experiments: From Shaseibun to Light and Dark -- Introduction: Sensibility Or Idioculture -- Jiko-hon'i: On One's Own Terms -- The Evolving Cognitive Literary Landscape in the Meiji Period -- The Use of Shaseibun in Narratives -- Close Reading: Light and Dark (1916) -- 'Odd' Narrative Structure -- Love Marriage -- Split Female Roles: 'Osan' and 'Koharu' -- The Aesthetics of the Absolute Present -- Conclusion -- Notes -- References -- 2 Shiga Naoya's Shishôsetsu: From 'Infatuation' to A Dark Night's Passing -- Introduction: The Taishô Kyôyô Shugi (Taishô Culture of Self-Cultivation) and the New Literati Paradigm -- Shiga Naoya's Auto-Therapeutic Project: From 'Chijô' ('Infatuation' 1926) to An'ya Kôro (A Dark Night's Passing 1937) -- 'Infatuation' (1926): Honesty and Negative Affects -- An'ya Kôro (A Dark Night's Passing, 1922-1937) -- Introduction: What Is This Shishôsetsu All About? -- From Mother's Secret to Wife's Indiscretion -- Shiga Hero's Evolving Sexuality and Ethics -- Shiga Versus Sôseki -- Conclusion -- Notes -- References -- Part II Affect and Emotion -- 3 Disorienting Affect in Natsume Sôseki's Kokoro. |
| 505 8# - Fußnote zu strukturierten Inhaltsangaben |
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| Fußnote zu strukturierten Inhaltsangaben |
Introduction: Reading Against 'Personalism' -- Core Affect and Social Conditioning -- Phenomenology of Emotions in Kokoro (1914) -- Ugly Feelings -- Paranoia and Envy -- The Structure of the House and the Structure of Feelings -- Affective Pre-Emptive Strike -- Theory of 'Delay': Was There Foul Play On the Part of Sensei? -- Conclusion -- Notes -- References -- 4 Ôe Kenzaburô's The Silent Cry Revisited Through Affect Theory -- Introduction: Ôe and the Emperor -- Affect, Cognition, and History -- Close Reading the Affective Dynamics in The Silent Cry (1967) -- Ideo-Affective Investment in Ideology -- Differential Repetitions of Affective Scenes -- Affect On Autopilot -- The Showdown Between the Brothers in the Family's Storehouse: Terms of Ethicality Turned On Their Head -- Conclusion: Affect and History -- Notes -- References -- 5 Speech Acts and Emotion in Kirino Natsuo's Grotesque -- Introduction: Crime Novel as Social Critique -- Close Reading Grotesque (2003) -- Speech Act -- Affect-driven Dialogism and Epistolarity -- 'Schemes of Recognition' and the Female Narrator Known as Yuriko's Sister -- Meeting Kazue and Mitsuru at Q School -- Yuriko's Sister's Sexuality -- Kazue's Downfall -- Yuriko's Downfall -- Conclusion -- Notes -- References -- 6 Cruel Optimism in Kawakami Mieko's Breasts and Eggs and Murata Sayaka's Convenience Store Woman -- Introduction: Affectively Apprehending the Present -- Close-Reading Breasts and Eggs (2008) -- Presence Through Intertextuality: Higuchi Ichiyô (1872-1896) -- Playful Words and Ludic Gestures -- The Climactic Scene in the Kitchen -- Close-Reading Convenience Store Woman (2016) -- 'Perceptual Method' and Defamiliarisation -- Conclusion -- Notes -- References -- Part III Historical Trauma and Representation -- 7 Ibuse Masuji's Black Rain and Imamura Shôhei's Film Adaptation. |
| 505 8# - Fußnote zu strukturierten Inhaltsangaben |
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| Fußnote zu strukturierten Inhaltsangaben |
Introduction: Ethics of Memory in Post-War Japan -- Ibuse Masuji's Black Rain Versus Imamura Shôhei's Film: Axes of Comparison -- The Change in Time: 1966 and 1989 -- Ibuse Masuji's Concerns in Black Rain (1966) -- Imamura Shôhei's Black Rain (1989) -- Adaptation From Novel to Film -- Intertextual Resonance: 'Lieutenant Look East' (1950) -- The Realm of Perception in the Medium of Film -- Conclusion -- Notes -- References -- 8 Intertextual Time Machine: Tsushima Yûko's Laughing Wolf and Ôe Kenzaburô's Children of Two Hundred Years -- Introduction: The Japanese National Identity Debate in the 1990s -- Tsushima Yûko's Intertextual Time Machine -- On Grieving (Kanashimi Ni Tsuite, 2017) -- Laughing Wolf (2000) -- Ôe Kenzaburô's Intertextual Time Machine in Children of Two Hundred Years -- The Foundation Narratives in M/T and Contemporaneity -- Secrets From the Past in Children -- Mediating Between 'Thick Relations' and 'Thin Relations' -- Feminist Project in Ôe's 'Late Works' -- Epilogue to Chapters 7 and 8 -- Notes -- References -- 9 Ethics of Care in Ishimure Michiko's Villages of the Gods -- Introduction: Minamata, the Sea of Sorrow -- From Matters of Fact to Matters of Concern and Care -- Close-Reading Villages of the Gods (2004) -- A Dystopic Vision of the Interconnectedness of Things -- Matters of Concern and Care -- Buddhist-Inspired 'Animism', Compassion, and Care in Ishimure -- The Forces of Life Pulsating in the World of the Human and the Non-Human -- Shinran and Pure Land Buddhism: A Diamond in the Mud of Bonnô -- Modae Gami Mode of Writing: Between Kikigaki and Shishôsetsu -- 'Animism' That Encompasses Decomposition in a Food Web and Cycle of Life -- Towards Ecocritical Thinking -- Notes -- References -- Conclusion -- Affects, Emotions, and the Fundamental Sociality of Embodied Life. |
| 505 8# - Fußnote zu strukturierten Inhaltsangaben |
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| Fußnote zu strukturierten Inhaltsangaben |
Literature: Accrued Historicity Made Visible in Slow Motion -- Epilogue: Revisiting 'Five Cups of Sake' -- Notes -- References -- Index. |
| 520 ## - Fußnote zu Zusammenfassungen usw. |
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| Fußnote zur Zusammenfassung usw. |
This book takes the unique approach of combining cognitive approaches with more established close-reading methods in analyzing a selection of Japanese novels. |
| 653 ## - Indexierungsterm - Nicht normiert |
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| Nicht-normierter Term |
Affect (Psychology) in literature. |
| 655 ## - Indexierungsterm - Genre/Form |
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| Genre/Form oder fokussierter Term |
Fernzugriff |
| Koha-Normdatenidentnummer |
230 |
| 655 #4 - Indexierungsterm - Genre/Form |
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| Genre/Form oder fokussierter Term |
|
| 776 08 - Andere physische Form |
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| Verweisungsphrase |
Print version: |
| Haupteintragung |
Auestad, Reiko Abe |
| Titel |
Affect, Emotion and Sensibility in Modern Japanese Literature |
| Ort, Verlag und Erscheinungsjahr |
Oxford : Taylor & Francis Group,c2024 |
| Internationale Standardbuchnummer |
9781032539102 |
| 830 #0 - Nebeneintragung unter dem Gesamttitel - Einheitstitel |
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| Einheitstitel |
Routledge Research on Asian Literature Series |
| Koha-Normdatenidentnummer |
64750 |
| 856 40 - Elektronische Adresse und Zugriff |
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| URL |
<a href="https://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=31467375">https://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=31467375</a> |
| OPAC-Notiz |
Volltext |
| 942 ## - Zusätzliche Felder (Koha) |
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| Koha-Medientyp |
E-Books |