MARC-Details
| 000 -Satzkennung |
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| Kontrollfeld mit fester Länge |
08621nam a22004333i 4500 |
| 001 - Kontrollnummer |
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| Kontrollfeld |
EBC31221724 |
| 003 - Kontrollnummer Identifier |
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| Kontrollfeld |
MiAaPQ |
| 005 - Datum und Zeit der letzten Transaktion |
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| Kontrollfeld |
20240823185300.0 |
| 007 - Feld mit fester Länge zur physischen Beschreibung - Allgemeine Information |
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| Kontrollfeld mit fester Länge |
cr cnu|||||||| |
| 008 - Feld mit fester Länge zur physischen Beschreibung - Allgemeine Angaben |
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| Kontrollfeld mit fester Länge |
240823s2024 xx o ||||0 eng d |
| 020 ## - Internationale Standardbuchnummer |
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| Internationale Standardbuchnummer |
9783839468050 |
| Nähere Angaben |
(electronic bk.) |
| 020 ## - Internationale Standardbuchnummer |
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| Gelöschte/ungültige ISBN |
9783837668056 |
| 040 ## - Katalogisierungsquelle |
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| Original-Katalogisierungsstelle |
MiAaPQ |
| Katalogisierungssprache |
eng |
| Übertragungsstelle |
MiAaPQ |
| 100 1# - Haupteintragung - Personenname |
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| Personenname |
Anker, Suzanne. |
| Koha-Normdatenidentnummer |
64746 |
| 245 14 - Titel |
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| Titel |
The Cultures of Entanglement : |
| Zusatz zum Titel |
On Nonhuman Life Forms in Contemporary Art. |
| 250 ## - Ausgabebezeichnung |
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| Ausgabebezeichnung |
1st ed. |
| 264 #1 - Produktion, Veröffentlichung, Distribution, Herstellung und Urheberrechtsvermerk |
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| Herstellungs-, Veröffentlichungs- Vertriebs-, Erzeugungsort |
Bielefeld : |
| Produzent, Herausgeber, Distributor, Hersteller |
transcript Verlag, |
| Datum der Herstellung, der Veröffentlichung, des Vertriebs oder des Urheberschutzvermerks |
2024. |
| 264 #4 - Produktion, Veröffentlichung, Distribution, Herstellung und Urheberrechtsvermerk |
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| Datum der Herstellung, der Veröffentlichung, des Vertriebs oder des Urheberschutzvermerks |
©2024. |
| 300 ## - Physische Beschreibung |
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| Umfang |
1 online resource (377 pages) |
| 336 ## - Inhaltstyp |
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| Inhaltstypterm |
Text |
| Inhaltstypcode |
txt |
| Quelle |
rdacontent |
| 337 ## - Medientyp |
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| Bezeichnung des Medientyps |
Computermedien |
| Medientypcode |
c |
| Quelle |
rdamedia |
| 338 ## - Datenträgertyp |
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| Datenträgertypbezeichnung |
Online Resource |
| Datenträgertypcode |
cr |
| Quelle |
rdacarrier |
| 490 1# - Gesamttitelangabe |
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| Gesamttitelangabe |
Image Series |
| 500 ## - Allgemeine Fußnote |
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| Allgemeine Fußnote |
E-Book-ProQuest / Fernzugriff nach Registrierung möglich |
| 505 0# - Fußnote zu strukturierten Inhaltsangaben |
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| Fußnote zu strukturierten Inhaltsangaben |
Cover -- Contents -- The Cultures of Entanglement: On Nonhuman Life Forms in Contemporary Art -- The Hothouse Archives: Plants, Pods and Panama Red -- 1. Weeds and the Unrequited -- The Lawn (Re)Disturbance Laboratory A Public Experiment in Collaboration with Seeds, Time, and Weeds http://nextepochseedlibrary.com/lawn/ -- List of Illustrations -- 2. Submergence -- Saddening the Green: The Politics and Poetics of the South African Lawn -- References -- Acknowledgements -- List of Illustrations -- 3. Out of the Garden -- Jean‐Jacques Rousseau's Botanique: Undergoing Nature as a Pedagogy of Resistance to the Anthropocene -- Introduction: Rousseau's Nature & -- The Great Transformation -- Against the Pedagogy of the Enlightenment: Rousseau & -- Human Nature -- Overcoming Nature: The Great Transformation & -- The Rise of the Anthropocene -- Undergoing vs. Overcoming Nature: Dominique Janicaud & -- Rousseau -- 'Everywhere' in Chains: A Pedagogy of Counter‐Enlightenment as Rousseau's Botanique -- References -- "The flowers, after all, didn't understand Greek": Plants, Politics, Poetics -- "We can only be hunters of objects": Plants, Politics, Poetics -- Myth: Home -- Traveling and Crossing Borders -- The Residence: Free Exchange -- The Plants' Political -- References -- List of Illustrations -- 4. The Social Order of Plants -- The Potential of Ruderal Societies and Perfectly Provisional Areas in the Works of Lois Weinberger -- References -- Online Resources -- List of Illustrations -- Songs the Plants Taught us: Strange Entanglements of Vinyl Records and Horticulture -- Between city and countryside -- Performance, vinyl records, and audience participation -- Bringing the country into the city -- Psychogardens -- Post‐colonial gardens -- Conclusion -- References -- List of Illustrations -- 5. Flora -- The Blue Rose -- pH Blue. |
| 505 8# - Fußnote zu strukturierten Inhaltsangaben |
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| Fußnote zu strukturierten Inhaltsangaben |
Red Cabbage Recipe -- Defying Mother Nature -- The Blue Rose as Postmodern Icon -- The Elusive Blue Gene -- Delphinium Blooms -- The Color Blue -- Towards the Future -- References -- Online Resources -- List of Illustrations -- After Nature, Coding and Reading Plant Life -- List of Illustrations -- Not a Rose and the Impossibility to Be a Revolutionary and Not Like Flowers -- List of Illustrations -- Trojan Horse Manifesto -- List of Illustrations -- Questioning the Non‐Human Other: Political Potentials of Living Beings in Art -- 6. Animals and the Ethics of Art -- Human‐Animal Studies - Bridging the lacuna between academia and society -- The (Western) Origins -- What are Human‐Animal Studies about? -- Human‐Animal Studies and their potential as connectors between academia and society -- HAS at the University of Innsbruck -- Outcomes of HAS -- Creating bridges -- Appeal -- References -- Animal Artistic Agency: Contemporary Interspecies Art and Relational Aesthetics -- Animal challenges for traditional aesthetics -- Interspecies Art -- Swarm aesthetics and relational art -- References -- Lectures -- Video -- List of Illustrations -- Heads and/or Tails -- References -- 7. Shifting to Non‐Human Aesthetic -- Viscous, Molten, and Phased: Undergoing Nature with Non‐Human Aesthetics, Hypo‐objects, & -- Strange Tools -- Overture: Flowing Matter -- Nature or phýsis -- Introduction: The Control or Reduction of Nature -- Undergoing/Overcoming Nature -- The Occurrence of Deconstruction is Already Nature/ Natural -- All Art is Ecological or 'The Morton Gambit' -- Non‐Human Artists & -- Hypoobject Hunters -- More Notes on 'Hypo‐Objects' -- On Being Object Hunters -- Strange Tools for a Future Aesthetics -- References -- List of Illustrations -- L'animal que donc je suis - Pierre Huyghe and Jacques Derrida. |
| 505 8# - Fußnote zu strukturierten Inhaltsangaben |
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| Fußnote zu strukturierten Inhaltsangaben |
Pour dire les plus longues phrases / Elle n'a pas besoin de mots (To utter the longest of sentences it has no need of words) - Charles Baudelaire -- L'animal que donc je suis - The Animal that Therefore I am -- "Alive entities and inanimate things, made and not made" -- Epilogue: Ashamed of / at being ashamed -- References -- List of Illustrations -- 8. The Turning: Soil, Plants and Human Imagination -- Revolutionary Flowers: Sex, Gender and Politics in Early Modern Dance -- Political Strawberries -- Flowers Personified and Persons Florified -- Sex and Gender of Flowers -- Becoming a Flower -- 'Superhuman Dance' and Queerness -- 'Priestess of Pantheism' and the 'Natural Language of the Soul' -- Mediating Technology -- References -- List of Illustrations -- 9. 'Theatrum Botanicum': The Human‑Plant Exchanges -- Critical Knowledge Practices from the Margins: Plants and the Like -- Hilma af Klint, Notebook 588, Blumen, Moose und Flechten [Flowers, Mosses, and Lichens], 1919/20 -- Gitte Villesen, There is an Affinity. (Dioramas, Paludariums, Höch, France and Butler), 2019 -- References -- List of Illustrations -- The Art of Gardening in South Africa: Three Cases of Eco‐Political Landscaping from the Global South -- Introduction -- 1. MADEYOULOOK: 'Black gardening' and restorative nostalgia -- 2. Athi‐Patra Ruga: queering the postapartheid landscape -- 3. People's Parks: participatory landscaping against apartheid -- Conclusion -- References -- List of Illustrations -- Tue Greenfort: Questioning Dichotomies -- References -- Online References -- List of Illustrations -- 10. Quasi Objects -- Questioning the Non‐Human Other: Political Potentials of Living Beings in Contemporary Art -- Introduction -- Stuff we know but don't see - Pollution and sea life -- Stuff we know but don't see - Destructive forces of capital and production. |
| 505 8# - Fußnote zu strukturierten Inhaltsangaben |
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| Fußnote zu strukturierten Inhaltsangaben |
Gerspacher / Dialectic of Entitlement and the Ecopolitics of Debt -- References -- List of Illustrations -- The Invisible Thread: The Materiality and Infrastructures of Digital Animal Observation -- The Line -- The Nylon Thread -- The Virtual Environment -- The Submarine Cable -- The Pipeline -- Conclusion -- References -- List of Illustrations -- Tiny Plants (?) with Big Effect -- The Genesis of the impressionist Comma in Structurism -- An iconological Discursion: St. Jerome -- Analysis: Dürer's St. Jerome in the Wilderness -- Albrecht Altdorfer's Structurism -- An iconological Discursion: St. Catherine -- Analysis: Beheading of St. Catherine -- The absolute Structurism of the Master of the Historia -- The Structure(ing) of Nature today -- References -- List of Illustrations -- 11. Beyond Nature: Artistic Transmutation -- The Eusocial Cathedral and the Buzzaar: A Novel Synthesis from De‐ and Reconstructing the Living and the Artificial -- THE COLLAPSE -- COLONY -- THE EUSOCIAL CATHEDRAL -- AUTHORIAN STIGMERGY -- THE COMPLEXITY OF LIFE -- TO DECONSTRUCT -- TO RECONSTRUCT -- "I HAVE A DESIRE FOR… THE BUILT ENVIRONMENT… TO ALLOW ME TO DO… MY OWN THING" -- FUNGI -- BEEHIVES OF THE FUTURE -- THE IMPACT -- TO RETHINK -- Acknowledgements: -- References -- Online source -- List of Illustrations -- Return to Dilmun -- Polycinease -- Return to Dilmun -- References -- List of Illustrations -- Pyrexia -- List of Illustrations -- Spearlight -- List of Illustrations -- Appendix -- Acknowledgments -- List of Authors. |
| 653 ## - Indexierungsterm - Nicht normiert |
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| Nicht-normierter Term |
Art-History. |
| 655 ## - Indexierungsterm - Genre/Form |
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| Genre/Form oder fokussierter Term |
Fernzugriff |
| Koha-Normdatenidentnummer |
230 |
| 655 #4 - Indexierungsterm - Genre/Form |
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| Genre/Form oder fokussierter Term |
|
| 700 1# - Nebeneintragung - Personenname |
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| Personenname |
Flach, Sabine. |
| Koha-Normdatenidentnummer |
64747 |
| 776 08 - Andere physische Form |
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| Verweisungsphrase |
Print version: |
| Haupteintragung |
Anker, Suzanne |
| Titel |
The Cultures of Entanglement |
| Ort, Verlag und Erscheinungsjahr |
Bielefeld : transcript Verlag,c2024 |
| Internationale Standardbuchnummer |
9783837668056 |
| 830 #0 - Nebeneintragung unter dem Gesamttitel - Einheitstitel |
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| Einheitstitel |
Image Series |
| Koha-Normdatenidentnummer |
64748 |
| 856 40 - Elektronische Adresse und Zugriff |
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| URL |
<a href="https://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=31221724">https://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=31221724</a> |
| OPAC-Notiz |
Volltext |
| 942 ## - Zusätzliche Felder (Koha) |
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| Koha-Medientyp |
E-Books |