Medieval and Early Modern Performance in the Eastern Mediterranean.
Öztürkmen, Arzu.
Medieval and Early Modern Performance in the Eastern Mediterranean. - 1st ed. - Turnhout, Belgium : Brepols Publishers, 2014. 2014. - 1 online resource (616 pages) - Late Medieval and Early Modern Studies ; v.20 .
E-Book-ProQuest / Fernzugriff nach Registrierung möglich
Medieval and Early Modern Performance in the Eastern Mediterranean -- Contents -- Illustrations -- Foreword -- Acknowledgements -- Introduction -- Part 1. Verbal Art as Performance -- Metin And -- Storytelling as Performance, Metin And -- The Maqama - Between a Tale and a One-Man Show: In Search of its Form of Performance, Revital Refael-Vivante -- Orality, Text, and Performance in the Book of Dede Korkut, Arzu Öztürkmen -- Signals of Performability in the Croatian Glagolitic 'Legend of St John Chrysostom', Marija-Ana Dürrigl -- The Performance of Joinville's Credo, Michael Curschmann -- Medieval Folktales, Modern Problems, and a Gifted Preacher: The Case of Rabbi Joseph Hayyim and the 'Tale of a Fox that Left his Heart at Home', David Rotman -- 'The Seven Sleepers of Ephesus': Can We Reawaken Performance of this Hagiographical Folktale?, Evelyn Birge Vitz -- Part 2. Performance under Imperial Realms -- How to Entertain the Byzantines: Some Remarks on Mimes and Jesters in Byzantium, Przemysław Marciniak -- Between Admiration, Anxiety, and Anger: Views on Mimes and Performers in the Byzantine World, Tivadar Palágyi -- Performance and Ideology in the Exchange of Prisoners between the Byzantines and the Islamic Near Easterners in the Early Middle Ages, Koray Durak -- Fireworks in Seventeenth‑Century Istanbul, Suraiya Faroqhi -- Clowns at Ottoman Festivities, Özdemir Nutku -- Lady Mary Wortley Montagu (1689-1762): Her Turkish Performances, Danielle Haase-Dubosc -- The Fusion of Zar-Bori and Sufi Zikr as Performance: Enslaved Africans in the Ottoman Empire, Ehud R. Toledano -- Part 3. Modes and Varieties of Entertainment -- How Dark is the History of the Night, How Black the Story of Coffee, How Bitter the Tale of Love: The Changing Measure of Leisure and Pleasure in Early Modern Istanbul, Cemal Kafadar. One Man and His Audience: Comedy in Ottoman Shadow Puppet Performances, Daryo Mizrahi -- Shadow Theatre, the Karagoz (Kara Gyooz) and the Texts of Ibn Daniyal (1248-1311?), Mas'ud Hamdan -- Armenian Traditional Music and the Performance Practices in the Armenian Community of Jerusalem, Noune Zeltsburg-Poghosyan -- Constructing the Performed Identity of Sephardic Songs, Judith R. Cohen -- Gypsy Musicians and Performances in the Ottoman Balkans, Elena Marushiakova and Vesselin Popov -- Part 4. Iconography -- Scenes of Performers in Byzantine Art, Iconography, Social and Cultural Milieu: The Case of Acrobats, Viktoria Kepetzi -- Theatricality of Byzantine Images: Some Preliminary Thoughts, Anestis Vasilakeris -- Theatrical Features in Armenian Manuscripts, Emma Petrosyan -- Capital Initials with Images of Musicians in Armenian Manuscripts, Hrant Khachikyan -- Glorious Noise of Empire, Gabriela Currie -- Part 5. Ritual Roots of Performance -- Representing the Moulid: Salah Jahin's Al-Layla al-Kabira between Populist and Nationalist Aspirations, Samia Mehrez -- Performative Conceptions of Social Change:The Case of Nevruz Celebrations in Pre-Ottoman and Ottoman Anatolia, Yücel Demirer -- Alevi Ritual Movement: Its Representation in Fifteenth- and Sixteenth-Century Texts and Today, Fahriye Dinçer -- The Moreška Dance/Drama on the Island of Korčula (Croatia): A Turkish Connection?, Elsie Ivancich Dunin -- The Show and the Ritual: The Mevlevî Mukabele in Ottoman Times, Cem Behar -- The Ritual of Vardan Mamikonyan, Zhenya Khachatryan -- Epilogue -- The Performative Turn in Recent Cultural History, Peter Burke -- Index.
9782503547398
Fernzugriff
Medieval and Early Modern Performance in the Eastern Mediterranean. - 1st ed. - Turnhout, Belgium : Brepols Publishers, 2014. 2014. - 1 online resource (616 pages) - Late Medieval and Early Modern Studies ; v.20 .
E-Book-ProQuest / Fernzugriff nach Registrierung möglich
Medieval and Early Modern Performance in the Eastern Mediterranean -- Contents -- Illustrations -- Foreword -- Acknowledgements -- Introduction -- Part 1. Verbal Art as Performance -- Metin And -- Storytelling as Performance, Metin And -- The Maqama - Between a Tale and a One-Man Show: In Search of its Form of Performance, Revital Refael-Vivante -- Orality, Text, and Performance in the Book of Dede Korkut, Arzu Öztürkmen -- Signals of Performability in the Croatian Glagolitic 'Legend of St John Chrysostom', Marija-Ana Dürrigl -- The Performance of Joinville's Credo, Michael Curschmann -- Medieval Folktales, Modern Problems, and a Gifted Preacher: The Case of Rabbi Joseph Hayyim and the 'Tale of a Fox that Left his Heart at Home', David Rotman -- 'The Seven Sleepers of Ephesus': Can We Reawaken Performance of this Hagiographical Folktale?, Evelyn Birge Vitz -- Part 2. Performance under Imperial Realms -- How to Entertain the Byzantines: Some Remarks on Mimes and Jesters in Byzantium, Przemysław Marciniak -- Between Admiration, Anxiety, and Anger: Views on Mimes and Performers in the Byzantine World, Tivadar Palágyi -- Performance and Ideology in the Exchange of Prisoners between the Byzantines and the Islamic Near Easterners in the Early Middle Ages, Koray Durak -- Fireworks in Seventeenth‑Century Istanbul, Suraiya Faroqhi -- Clowns at Ottoman Festivities, Özdemir Nutku -- Lady Mary Wortley Montagu (1689-1762): Her Turkish Performances, Danielle Haase-Dubosc -- The Fusion of Zar-Bori and Sufi Zikr as Performance: Enslaved Africans in the Ottoman Empire, Ehud R. Toledano -- Part 3. Modes and Varieties of Entertainment -- How Dark is the History of the Night, How Black the Story of Coffee, How Bitter the Tale of Love: The Changing Measure of Leisure and Pleasure in Early Modern Istanbul, Cemal Kafadar. One Man and His Audience: Comedy in Ottoman Shadow Puppet Performances, Daryo Mizrahi -- Shadow Theatre, the Karagoz (Kara Gyooz) and the Texts of Ibn Daniyal (1248-1311?), Mas'ud Hamdan -- Armenian Traditional Music and the Performance Practices in the Armenian Community of Jerusalem, Noune Zeltsburg-Poghosyan -- Constructing the Performed Identity of Sephardic Songs, Judith R. Cohen -- Gypsy Musicians and Performances in the Ottoman Balkans, Elena Marushiakova and Vesselin Popov -- Part 4. Iconography -- Scenes of Performers in Byzantine Art, Iconography, Social and Cultural Milieu: The Case of Acrobats, Viktoria Kepetzi -- Theatricality of Byzantine Images: Some Preliminary Thoughts, Anestis Vasilakeris -- Theatrical Features in Armenian Manuscripts, Emma Petrosyan -- Capital Initials with Images of Musicians in Armenian Manuscripts, Hrant Khachikyan -- Glorious Noise of Empire, Gabriela Currie -- Part 5. Ritual Roots of Performance -- Representing the Moulid: Salah Jahin's Al-Layla al-Kabira between Populist and Nationalist Aspirations, Samia Mehrez -- Performative Conceptions of Social Change:The Case of Nevruz Celebrations in Pre-Ottoman and Ottoman Anatolia, Yücel Demirer -- Alevi Ritual Movement: Its Representation in Fifteenth- and Sixteenth-Century Texts and Today, Fahriye Dinçer -- The Moreška Dance/Drama on the Island of Korčula (Croatia): A Turkish Connection?, Elsie Ivancich Dunin -- The Show and the Ritual: The Mevlevî Mukabele in Ottoman Times, Cem Behar -- The Ritual of Vardan Mamikonyan, Zhenya Khachatryan -- Epilogue -- The Performative Turn in Recent Cultural History, Peter Burke -- Index.
9782503547398
Fernzugriff