British art and the environment changes, challenges, and responses since the Industrial Revolution
British art and the environment changes, challenges, and responses since the Industrial Revolution
edited by Charlotte Gould and Sophie Mesplède
- Milton : Taylor & Francis Group, 2021. ©2021.
- 1 online resource (259 pages)
- British Art: Histories and Interpretations Since 1700 .
- British Art: Histories and Interpretations Since 1700 .
E-Book-ProQuest / Fernzugriff nach Registrierung möglich
Cover -- Half Title -- Series -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction -- Part 1 From the Claude Glass to Drones: Framing Environmental Encounters -- 1 Vehicles of Truth: Portable Studios and Nineteenth-Century British Landscape Painting, 1856-1885 -- 2 Painting Fog: James Abbott McNeill Whistler's Blurred Visions of the London Atmosphere -- 3 Aerial Ontologies -- 4 An Interview with Tim Martin -- Part 2 Areas of Outstanding Industrial Beauty? A Layered History of Reappropriation and Profitability -- 5 "It's Grim Up North": Depicting Mutations and Shifting Perceptions of Industrial Landscapes in the North of England -- 6 "Our Oil": Our Waves? Environment, Energy Transition, and Art in Twenty-First-Century Scotland -- 7 Managing Arcadia: From the King's Cross Estate to the Bretton Estate -- 8 An Interview with Adrian George -- Part 3 Decentering Human Vision: Art in a Shared Environment -- 9 Pursuing Natural Beauty: The Artist as a Hunter in Eighteenth-Century British Art -- 10 "A New and Unforeseen Creation": Turner, English Landscape, and the Anthropo(s)cene -- 11 The Human Landscape: John Ruskin, Drawing, and Colour -- 12 A Matter of Time: Transformative Sculptures by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy -- 13 Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines" -- Afterword -- Index.
9781000408195
Kunst
Umweltschutz
Ökologie
Landschaftsschutz
Großbritannien
Human ecology in art. Art, British-Themes, motives.
Fernzugriff
E-Book-ProQuest / Fernzugriff nach Registrierung möglich
Cover -- Half Title -- Series -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Introduction -- Part 1 From the Claude Glass to Drones: Framing Environmental Encounters -- 1 Vehicles of Truth: Portable Studios and Nineteenth-Century British Landscape Painting, 1856-1885 -- 2 Painting Fog: James Abbott McNeill Whistler's Blurred Visions of the London Atmosphere -- 3 Aerial Ontologies -- 4 An Interview with Tim Martin -- Part 2 Areas of Outstanding Industrial Beauty? A Layered History of Reappropriation and Profitability -- 5 "It's Grim Up North": Depicting Mutations and Shifting Perceptions of Industrial Landscapes in the North of England -- 6 "Our Oil": Our Waves? Environment, Energy Transition, and Art in Twenty-First-Century Scotland -- 7 Managing Arcadia: From the King's Cross Estate to the Bretton Estate -- 8 An Interview with Adrian George -- Part 3 Decentering Human Vision: Art in a Shared Environment -- 9 Pursuing Natural Beauty: The Artist as a Hunter in Eighteenth-Century British Art -- 10 "A New and Unforeseen Creation": Turner, English Landscape, and the Anthropo(s)cene -- 11 The Human Landscape: John Ruskin, Drawing, and Colour -- 12 A Matter of Time: Transformative Sculptures by Marc Quinn, Zuzanna Janin, Anya Gallaccio, and Andy Goldsworthy -- 13 Brexit, Gender, and Northern Ireland's Supernatural Landscape: Ursula Burke's "A False Dawn" and Candida Powell-Williams' "Command Lines" -- Afterword -- Index.
9781000408195
Kunst
Umweltschutz
Ökologie
Landschaftsschutz
Großbritannien
Human ecology in art. Art, British-Themes, motives.
Fernzugriff